Keywords:
How to reassess the split between digital productions as forms of liberal self-expression and religious extremism as led by online-Takfiris? And who owns the digital vernacular?
How can we extract meaning from ‘religion-as-brand’ to inform a multidisciplinary research on Islam, identity and mediation in the digital age?
How to reassess the split between digital productions as forms of liberal self-expression and religious extremism as led by online-Takfiris? And who owns the digital vernacular?
How can we extract meaning from ‘religion-as-brand’ to inform a multidisciplinary research on Islam, identity and mediation in the digital age?